Psycho poster
Psycho
Netflix
1960 8.4 Movie

Psycho (1960)

A new and altogether different screen excitement!!!

When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.

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Facts about Psycho
TypeMovie
Released22 June 1960
GenreHorror, Thriller, Mystery
DirectorAlfred Hitchcock
StarringAnthony Perkins, Janet Leigh and Vera Miles
Runtime109 min
RatedR
ScoresRotten Tomatoes (average) 9.2/10 · Metacritic 97/100 · Rotten Tomatoes 97% · IMDb 8.5/10 · Letterboxd 4.3/5 · TMDB users 8.4/10
Budget$800,000
Box office$50 million worldwide

Where to watch Psycho

Psycho is streaming on Netflix ($17.99 a month) in the US. It is also on Peacock ($16.99 a month). If that is the only reason to subscribe, one month of Peacock is $16.99 at list price.

We check availability daily. Page last updated 19 October 2026. Prices are standard monthly plans and change often, so check with the service before you sign up.

Where to watch Psycho in 33 other countries
Streaming services and standard monthly prices by country
CountryStreaming on (price a month)
Antigua & BarbudaMax
ArgentinaMax $9590 ARS
AustraliaBinge $19.00 AUD, Foxtel
AustriaJoyn
BahamasMax
BarbadosMax
BelizeMax
BoliviaMax
CanadaTubi
ChileMax $9590 CLP
ColombiaMax $24900 COP
Costa RicaMax
Dominican RepublicMax
EcuadorMax $8.29
El SalvadorMax
GermanyJoyn
GuatemalaMax
GuyanaMax
HondurasMax
ItalySkygo, Now TV
JamaicaMax
JapanU-NEXT ¥2189 JPY
MexicoMax $149 MXN
NicaraguaMax
PanamaMax $8.29
ParaguayMax
PeruMax S/35.90
South KoreaWavve ₩10900, Watcha, Tving ₩10900
St. LuciaMax
Trinidad & TobagoMax
Turks & Caicos IslandsMax
UruguayMax $U399
VenezuelaMax

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What kind of watch this is

Psycho is a 109-minute horror thriller. Hitchcock directed the film. The tone is clinical and cold. It treats suspense not as a mood, but as a precise engineering problem. You press play expecting a genre film, but you get a study in psychological architecture. The shower scene is famous for a reason, but the real shock is how quickly the stakes shift from financial to existential.

What the critics said

The scores are high, though the dates vary. Rotten Tomatoes sits at 97% as of January 2026. Metacritic lands on 97 in the same month. IMDb gives it 8.5, and Letterboxd rates it 4.3 out of 5, both reported in February 2026. The initial reaction was messier. Bosley Crowther of The New York Times called it an "obviously low-budget job" with "not an abundance of subtlety". He found the psychological points less effective, though he did commend the cast. Not everyone was so polite. C. A. Lejeune of The Observer walked out before the end and resigned her post. That is a strong way to end a review.

How it did with audiences

Psycho cost $1 million and earned $32 million in the United States, with a worldwide total of $50 million. That is a 50x return, a ratio that makes accountants smile and studios reconsider the value of a low budget. On TMDB, users rate it 8.4 out of 10. It finished as the second highest-grossing film of 1960, behind Spartacus, and remains the most commercially successful film of Hitchcock's career. Hitchcock personally earned over $15 million from the deal. The numbers say the audience stayed for the shower scene, even if the critics didn't.

What came next for the cast

Janet Leigh arrived from Touch of Evil and The Vikings, then walked into The Manchurian Candidate and The Fog. Vera Miles stepped out of The Searchers and The Wrong Man, only to resurface in The Man Who Shot Liberty Valance. The shower scene did not invent their careers. It just happened to sit in the middle of them.

Where it left its mark

Hitchcock’s 1960 adaptation is arguably his most recognized work. He took Bloch’s novel, which repeatedly killed off sympathetic leads, and turned that anxiety into a cinematic shock. Killing the lead actor’s character at the end of the first act was a daring move for 1960. The shower scene became a pop culture touchstone, often cited as the most suspenseful moment ever filmed. Some consider it the first slasher, though critics note Michael Powell’s Peeping Tom released months earlier with similar themes. It also spawned a wave of gender-bender reveals, a trope Zachary Paul of Bloody Disgusting declared finished in 2018. The film’s DNA persists in references like Halloween and High Anxiety.

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