The Descent poster
The Descent
Tubi
2005 7.0 Movie

The Descent (2005)

Scream your last breath.

After a personal tragedy, Sarah joins her friends on a caving expedition in the Appalachian Mountains. But when a rockfall traps them deep underground, their adventure turns into a nightmare. As they search for a way out, the group discovers they are not alone—lurking in the darkness are savage, cave-dwelling creatures. With rising tension and dwindling trust, the women must fight to survive against both the predators and each other.

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Facts about The Descent
TypeMovie
Released8 July 2005
GenreAdventure, Horror
DirectorNeil Marshall
StarringShauna Macdonald, Natalie Mendoza and Alex Reid
Runtime100 min
RatedR
ScoresRotten Tomatoes (average) 7.4/10 · Rotten Tomatoes 87% · Metacritic 71/100 · TMDB users 7.0/10

Where to watch The Descent

The Descent is streaming on Tubi in the US.

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Rent or buy

You can rent or buy The Descent on Apple TV, Prime Video, Google Play, YouTube and Fandango at Home.

Where to watch The Descent in 28 other countries
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ArgentinaPrime Video $5199 ARS
AustraliaFoxtel, ARD/ZDF
BelizePrime Video
BoliviaPrime Video
BrazilPrime Video R$19.90
CanadaPrime Video $9.99 CAD
ChilePrime Video $6490 CLP
ColombiaPrime Video $24900 COP
Costa RicaPrime Video
Dominican RepublicPrime Video
EcuadorPrime Video $5.99
El SalvadorPrime Video
FranceParamount+, Max €10.99
GuatemalaPrime Video
GuernseyPrime Video
HondurasPrime Video
IndiaPrime Video ₹299, Jiohotstar
IrelandPrime Video €6.99
MexicoPrime Video $99 MXN
NicaraguaPrime Video
PanamaPrime Video $5.99
ParaguayPrime Video
PeruPrime Video S/25.90
South KoreaWavve ₩10900, Tving ₩10900
SpainPrime Video €4.99
United KingdomPrime Video £8.99 GBP, Max £9.99 GBP
UruguayPrime Video $U249
VenezuelaPrime Video

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What kind of watch this is

Neil Marshall directs this 100-minute adventure-horror hybrid, which trades the usual cave-in for a more intimate kind of trap. The rockfall is just the setup; the real horror is the silence that follows, where every creak sounds like a footstep. Sarah, played by Shauna Macdonald, is there to grieve, not to fight, which makes her incompetence a source of genuine dread. The creatures are not the only threat, because the women in the dark start to turn on each other. It is a tight, suffocating 100 minutes that makes you hold your breath, then release it, then hold it again.

What the critics said

Rotten Tomatoes reports an 87% approval rating as of November 2024, with an average of 7.4/10. Metacritic assigns a 71/100 Metascore based on 30 reviews, which it labels generally favorable. The consensus highlights strong performances and claustrophobic tension. Andy Jacobs of the BBC called it "like Aliens meets Deliverance," while Jim Emerson of the Ebert column found it "fresh, exciting." Not everyone was convinced. Rene Rodriguez of The Miami Herald noted the film devolved into a guessing game, though he praised the nightmare imagery.

How it did with audiences

The Descent does not come with a box office receipt. There is no budget to weigh against the take, so the financial ledger stays empty. What remains is the audience score on TMDB, sitting at 7 out of 10. That is a solid number for a film that asks you to crawl through darkness and keeps you guessing about what is crawling back. It is the kind of rating that suggests the scariness worked, even if the studio never booked a single accountant.

Where it left its mark

The Descent has been retrospectively regarded as one of the most significant horror films of the 2000s. Its reliance on darkness and tight spaces mirrors the suspense mechanics of Jaws and Alien, a comparison Michael Blyth of the British Film Institute made in 2014. Maria Lattila of Film Stories later called it a top British horror entry in 2025, noting how it treats grief and character. The film’s impact extends beyond cinema. Darrell Gallagher of Crystal Dynamics credited it with shaping the darker tone of the 2013 Tomb Raider reboot. Andrew Cumming also cited its claustrophobic environments as an influence on his 2022 film Out of Darkness.

Academics have followed the trend. James Marriott’s 2013 monograph for Liverpool University Press examined its treatment of female relationships and trauma.

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