Pride & Prejudice poster
Pride & Prejudice
2005 8.1 Movie

Pride & Prejudice (2005)

Sometimes the last person on earth you want to be with is the one person you can't be without.

A story of love and life among the landed English gentry during the Georgian era. Mr. Bennet is a gentleman living in Hertfordshire with his overbearing wife and five daughters, but if he dies their house will be inherited by a distant cousin whom they have never met, so the family's future happiness and security is dependent on the daughters making good marriages.

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Facts about Pride & Prejudice
TypeMovie
Released16 September 2005
GenreDrama, Romance
DirectorJoe Wright
StarringKeira Knightley, Matthew Macfadyen and Brenda Blethyn
Runtime128 min
RatedPG
ScoresRotten Tomatoes (average) 7.7/10 · Metacritic 82/100 · Rotten Tomatoes 87% · TMDB users 8.1/10
Budget$28 million
Box office$128 million worldwide

Where to watch Pride & Prejudice

We could not find Pride & Prejudice on any of the subscription services we track in the US right now. That changes often; open it in Binge Boss and we will show you where it lands.

Rent or buy

You can rent or buy Pride & Prejudice on Apple TV, Prime Video, Google Play, YouTube and Fandango at Home.

Where to watch Pride & Prejudice in 30 other countries
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AndorraPrime Video
ArgentinaClarovideo
AustraliaBinge $19.00 AUD, Foxtel
BelgiumNetflix €10.99
BrazilClarovideo
CanadaNetflix $18.99 CAD
ChileClarovideo
ColombiaClarovideo
DenmarkViaplay 289 kr DKK
EcuadorClarovideo
FinlandViaplay €13.99
FranceParamount+, Max €10.99
GibraltarPrime Video
GuernseyPrime Video
IcelandViaplay 799 kr ISK
IndiaPrime Video ₹299
IrelandPrime Video €6.99
ItalyPrime Video €4.99
JapanU-NEXT ¥2189 JPY
MexicoClarovideo
MonacoPrime Video, Max
NetherlandsNetflix €9.99
NorwayViaplay 169 kr NOK
PeruClarovideo
PortugalPrime Video €4.99, Filmin
San MarinoPrime Video
South KoreaWavve ₩10900, Watcha
SpainPrime Video €4.99, Filmin
SwedenViaplay 169 kr SEK
Vatican CityPrime Video

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What kind of watch this is

Joe Wright’s 2005 adaptation runs 128 minutes and treats the Georgian era as a place where manners are a weapon. It captures the suffocating weight of the entailment, where a family’s survival hinges on their daughters securing wealthy husbands. The film finds its pulse in the tension between sharp wit and social necessity. It is a study in how close proximity and mutual disdain can ferment into something unrecognizable. The tagline hints at the central paradox: the person you least want to be with becomes the one you cannot be without. It is less a fluffy romance than a slow burn built on the friction of two people who are too proud to admit they are seeing each other clearly.

What the critics said

The numbers lean positive. Rotten Tomatoes gives it an 87% approval rating as of January 2026, with an average of 7.7/10. Metacritic sits at 82 out of 100, also as of January 2026. The consensus calls it fresh and enjoyable, thanks to key performances and a modern sensibility.

Skepticism lingered. The Times had long favored the 1995 serial, and some Austen purists balked at the Bennets becoming country bumpkins. The New Yorker’s critic joked that any resemblance to Miss Austen was "entirely coincidental." Peter Bradshaw of The Guardian praised Knightley’s performance, saying it "lifts the whole movie," though he found the casting slightly callow. He added that only a "necrophiliac loyalty" to the 1995 version could prevent enjoyment.

How it did with audiences

The film cost $28 million and took in $45 million in the United States, before reaching $128 million worldwide. That margin suggests a solid return, not a blockbuster miracle, but enough to keep the accountants smiling. Audiences seem to agree with the accounting. On TMDB, users rate it 8.1 out of 10.

What came next for the cast

Keira Knightley had already starred in Pirates of the Caribbean: The Curse of the Black Pearl in 2003, so the Regency romance sat oddly between her stints. Matthew Macfadyen moved from Enigma to a decade of capes and swords, a trajectory that feels less like a career and more like a costume department inventory. Rosamund Pike drifted from Die Another Day to a slow burn that finally exploded into a thriller. Brenda Blethyn, meanwhile, slipped into Atonement. The credits list what came next. They do not explain why.

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