Brooklyn Nine-Nine poster
Brooklyn Nine-Nine
Netflix
2013 8.2 8 seasons TV

Brooklyn Nine-Nine (2013)

The law. Without the order.

A single-camera ensemble comedy following the lives of an eclectic group of detectives in a New York precinct, including one slacker who is forced to shape up when he gets a new boss.

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Facts about Brooklyn Nine-Nine
TypeTV series
First aired17 September 2013
StatusEnded, last episode 16 September 2021
GenreComedy, Crime
Created byDaniel J. Goor and Michael Schur
StarringAndy Samberg, Melissa Fumero and Terry Crews
Seasons8 seasons, 152 episodes
Episode lengthabout 22 min
Time to watch it allabout 56 hours
RatedTV-14
ScoresTMDB users 8.2/10

Where to watch Brooklyn Nine-Nine

Brooklyn Nine-Nine is streaming on Netflix ($17.99 a month) in the US. It is also on Peacock ($16.99 a month). At ten hours a week, all of the series takes about 2 months of Peacock, or $33.98 at list price.

We check availability daily. Page last updated 15 October 2026. Prices are standard monthly plans and change often, so check with the service before you sign up.

What kind of watch this is

Brooklyn Nine-Nine trades procedural tension for the chaos of a workplace where everyone is trying to be the smartest person in the room. It runs 152 episodes over 8 seasons, a total of 56 hours of detectives who solve crimes but mostly just annoy each other. The rhythm is fast and the jokes are dry, relying on the friction between a strict captain and a team that treats the law like a suggestion. It is a watch that feels like a long, loud weekend where the only thing that gets solved is the group dynamic.

What the critics said

Rotten Tomatoes gave season one a score of 89% and season two a score of 100%. Metacritic gives the first season a weighted average rating of 70/100, indicating "generally favorable reviews". The consensus praises the writing and the cast, specifically the dynamic between Andy Samberg and Andre Braugher. Alyssa Rosenberg of The Washington Post called it one of the funniest, most important shows on TV. Grace Robertson of Vanity Fair saw it as a well-made exemplar of the workplace sitcom. Aisha Harris of Slate found it a well-crafted fantasy with little connection to real policing attitudes. The show also drew praise for its LGBTQ representation, particularly Captain Holt’s portrayal and Rosa Diaz’s coming out. It ranked No. 24 in Rolling Stone’s 50 Best TV Shows of the 2010s.

How it did with audiences

No box office figures exist for a weekly comedy, so the money conversation stops there. The audience verdict lives in the user score. On TMDB, viewers rate it 8.2 out of 10. That is a high number for a show that relies on a cast of people who are terrible at their jobs. It suggests the audience liked the bad decisions.

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Sources

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